In another respect, however, dramatic poetry is essentially different from the lyrical.

From this we may conceive wherein consists the great charm of dramatic poetry.

For dramatic poetry we have to wait until the fourteenth century.

There was an end of dramatic poetry, as it was understood under Elizabeth.

Has dramatic poetry ever created such a display of conflicting emotions?

Characterization is merely one ingredient of the dramatic art, and not dramatic poetry itself.

The grandeur and originality of the ancients were displayed rather in epic and dramatic poetry.

But dramatic poetry was still more varied and remarkable.

Greek dramatic poetry was still more varied and remarkable.

Lyric poetry has something childlike about it, dramatic poetry something manly, epic poetry something senile.

But why has this revival of the admiration of Shakspeare remained unproductive for dramatic poetry?

But while dramatic poetry declined, lyric poetry flourished.

There is one error which he endeavoured to reform, very material for the interest of dramatic poetry.

We find theatres in every part of Greece, though dramatic poetry was the peculiar growth of Athens.

The difference between dramatic poetry and lyrical.

Thus, when we speak of Athenian poetry, we speak of dramatic poetry-theywere one and the same.