1
I do not care much for the F major Nocturne, op.
2
F major seven with an E and a D and a G, yeah.
3
Part II opened with a suite in F Major for orchestra (op.
4
It is really in the keys of F major- Aminor
5
The Nocturnes in F major and F sharp major, Op.
6
And by the time we reach this F major, some peace has been found.
7
Chords that bring you back home to F major.
8
The second one-that was the loveliest the F major.
9
Though strongly pentatonic in character, the song is cast in the diatonic scale of F major.
10
As an example, I may mention the bewitching subject in F major of the second section.
11
It is certainly more elegant and dramatic than the one in F major, which precedes it.
12
The F major Valse, the last of this series, is a whirling, wild dance of atoms.
13
Having finally made it out of the confusion, back to our starting happy key of F major.
14
A string quartet conducted by Arms Bueford of Carnegie Hall played Dvorak's Quartet 12 in F Major.
15
But if you arrive in F major from A major, then it's like the sun's gone in.
16
The third waltz (in F major; Vivace) shows a character very different from the preceding one.