1
It was the E flat nocturne that unloosed Rellstab's critical wrath in the "Iris."
2
The nocturne that follows in A flat is a reversion to the Field type, the opening recalling that master's B flat Nocturne.
3
As he played Chopin's D flat Nocturne, its simple song and silken dissonances sounding in the ghostly gloom of the Turbine Hall, no one stirred.