But twentieth-century art's a different animal, no longer Michelangelesque.

The ''Pieta,'' in the Belvedere of Vienna; this work, as well as the ''Charity,'' shows a strong Michelangelesque influence.

"Is it worth it?" asked the other, Michelangelesque on the flooded margin.

This design appears to have fixed the style now known to us as Michelangelesque, and the loss of it is therefore irreparable.