They sounded, to my untrainedear, like they were having an argument.
2
Now, the untrainedear might not think much of this.
3
To the untrainedear, the demonstration sounds like squealing pigs.
4
One was speaking, and even Royson's untrainedear recognized the measured cadence of the story-teller.
5
To her untrainedear, it sounded as if the man was attempting to be as quiet as possible.
6
Tchicaya couldn't even parse the speech into separate words; to his untrainedear it sounded like a continuous flow.
7
To an untrainedear it would almost seem like one shot, but you'll see and hear that it isn't.
8
As is commonly the case with people of untrainedear, he had never much cared for this instrument; he preferred the piano.
9
Warri told me he had learnt several new songs; however, they appeared to my evidently untrainedear to be all exactly alike.
10
Time between South Africans sounds like an unknown variable to the untrainedear, but 'now-now' is completely comprehendible and considered an entirely suitable time frame.
11
Barzec then picked up the refrain, and even Ayla's untrainedear detected a fine and distinctive quality in the timbre and tone of his voice.
12
And to the untrainedear, it is not much different from the muted cries portrayed in Steven Spielberg's Lost World, which featured a "chatting" Para.
13
This despite the fact that his most famous composition, 4'33, is devoid of notes or anything else that, to the untrainedear, would constitute sound.
14
Studying the writing table she heard a faint sound that untrainedears would have missed.
15
The great hall was filled with people, the din of conversation almost deafening to her untrainedears.
16
He answered with a string of all tongues, interwoven like pointillist brush strokes, meaningless to untrainedears.