Bach concerto made in about 1953 with a Goff harpsichord and a Gough fortepiano.
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US based fortepiano specialist talks about the merits and reasons for historically informed performance practices.
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Spoken lines are given as cinema intertitles while a fortepiano plays parts of Mozart piano sonatas.
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Edmund Battersby on Naxos used a copy of an 1825 fortepiano and modern Steinway concert grand.
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It's not just that he's using a fortepiano, a modern copy of an instrument by Conrad Graf.
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His life saw the development of the fortepiano which was much more versatile and expressive than previous keyboards.
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Brautigam is famed for his performances on fortepiano; he'll be transferring his talents to modern piano for this not-to-be-missed concert series.
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The APO were as solid and reliable as ever and there was fine fortepiano playing from Mark McNeill during the intertitle sequences.
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On the other hand, there are improvisatory freedoms in the fortepiano accompaniment to the recitatives that may well take your breath away.
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On the record the harpsichord's described as a Kirkman copy by Thomas Goff and the fortepiano is a Stein copy made by Hugh Gough.
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The Music Collection's recording uses an 1814 Viennese fortepiano by Johann Fritz from the Finchcocks Musical Museum in Kent, where the recording was also made.
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It's a bit like the way the sound stops on fortepianos.
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There was another Gough as well -he made fortepianos in the immediate pre-war period as well as after the war.