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The vast bulk of successful English verse is, as we know, accentual-syllabic.
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In the following examples the Primary Accent is designated by double accentual marks, thus:
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The series of values for the four accentual positions follows.
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Again play him lawlessly, with his accentual life topsy-turvied, and he is no longer Chopin-his caricature only.
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The new quiver, the new shudder, the utter terror, and the utter love appear in mediaeval rhymed accentual poetry:
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The proportional intensive values of the successive reactions for the series of possible accentual positions are given in the following table:
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Also, every variation from the type indicates a point of accentual stress; the syncopated measure, for instance, is always strongly accented.
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Its accentual life is usually manifested on an unaccented part of the bar, especially at the end of a section or phrase.
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The contribution of the several intervals according to position in the series and irrespective of accentual stress is given in the table following.
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The presence of a tendency toward initial accentuation appears when the average intensities of the four reactions are considered irrespective of accentual position.
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The values of the three elements when considered irrespective of accentual stress are as follows: First, 1.000; second, 1.001; third, 0.995.
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Accentual verse-alliteration and the two-beat hemistich
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The vast bulk of successful English verse is, as we know, accentual-syllabic.
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In the following examples the Primary Accent is designated by double accentual marks, thus:
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The series of values for the four accentual positions follows.
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Again play him lawlessly, with his accentual life topsy-turvied, and he is no longer Chopin-his caricature only.