1
The rondeau-rondeau redoublé-the rondel-the roundel-the rondelet-the roundelay-the triolet and the kyrielle
2
So let us now meet some of the rondeau's hopeful progeny.
3
We'll have that in a rondeau or something, next week, if you don't hobble the muse!
4
The first four lines of rondeau redoublé.
5
Now let's play this rondeau of Marais.
1
If any modification is made, take the rondo faster, say about eighty-four.
2
The old practice had a rondo for the final movement of the sonata.
3
This rondo in B flat is the weakest of Chopin's muse.
4
Flicks and tricks and roulettes and rondo after rondo, all soft-shoed and swift.
5
The rondo was no wonderful piece of intricacy, such as a professional might choose.
6
The Quartet ends with a vivacious, almost reckless gypsy rondo.
7
The rondo is frolicksome, tricky, genial and genuine piano music.
8
Silence for the rondo, and attention to the refrain,-
9
A quick movement-thefinale, sometimes a rondo, sometimes another sonata-form, sometimes a theme with variations.
10
He played the first movement prestissimo, the andante allegro and the rondo prestissimo with a vengeance.
11
The Finale is a rondo with propulsive dotted rhythms, sharp dynamic contrasts, and ethereal fluttering effects.
12
But he is not consistent, for he uses the Tausig octaves at the close of the rondo.
13
Monte, faro, rouge et noir, roulette, rondo and every gambling device are here, to lure the unwary.
14
The work is in two main sections: a slower, grandiose introduction followed by a faster section in rondo form.
15
But it was plain that, had there been another rondo of the duet, most would have been talking again.
16
The finale is generally a bit of a romp; the structural plan is that of the first movement, or a rondo.